Then let him pass, a blessing on his head!
And, long as he can wander, let him breathe
The freshness of the vallies, let his blood
Struggle with frosty air and winter snows,
And let the charter'd wind that sweeps the heath
Beat his grey locks against his wither'd face.
Reverence the hope whose vital anxiousness
Gives the last human interest to his heart.
May never House, misnamed of industry,
Make him a captive; for that pent-up din,
Those life-consuming sounds that clog the air,
Be his the natural silence of old age.
Let him be free of mountain solitudes,
And have around him, whether heard or nor,
The pleasant melody of woodland birds.
Few are his pleasures; if his eyes, which now
Have been so long familiar with the earth,
No more behold the horizontal sun
Rising or setting, let the light at least
Find a free entrance to their languid orbs.
And let him, _where_ and _when_ he will, sit down
Beneath the trees, or by the grassy bank
Of high-way side, and with the little birds
Share his chance-gather'd meal, and, finally,
As in the eye of Nature he has liv'd,
So in the eye of Nature let him die.
_RURAL ARCHITECTURE_.
There's George Fisher, Charles Fleming, and Reginald Shore,
Three rosy-cheek'd School-boys, the highest not more
Than the height of a Counsellor's bag;
To the top of Great How did it please them to climb,
and there they built up without mortar or lime
A Man on the peak of the crag.
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