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A mad millionaire who commissioned
masterpieces to burn would find it impossible to buy them. Scarcely any
artist will hesitate in the choice between money and attention; and it was
primarily for that last and better sort of pay that the short stories of
the 'nineties were written. People talked about them tremendously,
compared them, and ranked them. That was the thing that mattered.
It was not, of course, all good talk, and we suffered then, as now, from
the _a priori_ critic. Just as nowadays he goes about declaring that
the work of such-and-such a dramatist is all very amusing and delightful,
but "it isn't a Play," so we' had a great deal of talk about _the_
short story, and found ourselves measured by all kinds of arbitrary
standards. There was a tendency to treat the short story as though it was
as definable a form as the sonnet, instead of being just exactly what any
one of courage and imagination can get told in twenty minutes' reading or
so. It was either Mr. Edward Garnett or Mr.


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