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Oemler, Marie Conway, 1879-1932

"The Purple Heights"

He'd
tell you he'd been lonely all day, and would you, if you hadn't done
so already, kindly come and dine with him? He spoke French with a
South Carolina accent, in those days, but an archangel's voice could
not then have sounded more dulcet in your ears than his. Presently,
over your cigarettes, you found yourself telling him just how
things were with you. Maybe you slept on a lounge in his studio that
night, because it was warmer there. And next morning you could face
life and work feeling that God's in his heaven, all's right with the
world. That's what Peter Champneys meant to many a hard-pressed
youngster.
With his immense capacity for work, at the end of a year Peter
Champneys had made great strides. But he was troubled. Like Millet,
he couldn't take the ordered direction. He felt that he was merely
marking time, that he wasn't on the right track. His robust and
original talent demanded heartier food than was offered it.
Reluctantly enough, Peter withdrew from the official studio to which
he was attached, and went on his own.


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