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Oemler, Marie Conway, 1879-1932

"The Purple Heights"

When she told him to accept an
invitation, he resignedly obeyed, looking, the elder of the
Checkleigh boys told him, as if he were doing it for God's sake. He
was beginning to speak French less villainously, and this made
things easier for him. He could carry on a simple conversation, by
going slowly; and he _almost_ understood about half of what
strangers said to him. He interested one or two fine ladies greatly,
and they were extremely gracious to him. Artists--that is, young and
unknown artists in the Quartier--are more or less pleasant to read
about in the pages of Muerger and others, but they are too often
beggarly and quite impossible persons in real life. But this young
American who lived in the Quartier was at the same time on a footing
of intimacy in the exclusive home of those so charming Hemingways,
who were, one knew, of the _grand monde_. Was it true that the
American painter was very wealthy? Yes? Ah, _ciel_! That droll young
man was then amusing himself by living in the Quartier? But what an
original! His family approved? He was an _orphan_? With no relations
save that old uncle whose heir he was? Ah, _mon Dieu_! That touched
one's heart! One must try to be very pleasant to that so lonely
young man! And that so lonely young man was extended mead and balm
in the shape of invitations to very smart affairs.


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