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Oemler, Marie Conway, 1879-1932

"The Purple Heights"

"
"Why, yes, if you like," murmured Peter, dazedly. And like one in a
dream he followed his stocky host to the room over the stables. One
saw why the artist had selected it; it made an ideal studio. A small
canvas, untouched, was already in place on an easel near a window.
One or two ladylike landscapes leaned against the wall.
"She has the talent of a painstaking copyist," said her brother,
nodding at his sister's work. "Shall you use oils, or do you prefer
chalks, or water-colors?"
"Oils," decided Peter, examining the canvas. "It will be rough work,
remember." He made his preparations, turned upon his sitter the
painter's knife-like stare, and plunged into work. It was swift
work, and perhaps roughly done, as he had said, but by the miracle
of genius he managed to catch and fix upon his canvas the tenacious
and indomitable soul of the Englishman. You saw it looking out at
you from the steady, light blue eyes in the plain face with its
craggy nose and obstinate chin; and you saw the kindness and
delicacy of the firm mouth.


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