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Oemler, Marie Conway, 1879-1932

"The Purple Heights"

It would give him some idea of the
girl's mental processes; the psychology of the proletariat, he
thought, could be studied to advantage in their reaction to the
movies.
He sat beside her for an unhappy hour while a famous screen
comedian did the things with his feet and his backbone for which his
managers paid him more in one year than the United States pays its
Presidents in ten. At each impossible climax Nancy shrieked with
laughter, the loud, delighted laughter of a pleased child. Her
enthusiasm for the slapstick artist provoked him, but at the same
time that gay laughter tickled his ears pleasantly. There's plenty
of good in a girl who can laugh like that! After the grimacing
genius there followed a short drama of stage mother-love, in which
the angel-child dies strenuously in his little white bed. Nancy
dabbled her eyes, and blew her nose with what her captious companion
thought unnecessary vigor.
"Ain't it movin'?"
"Yes. Moving pictures," was the cold response. And to himself he was
saying, defiantly: "Well, what else could I expect? She's not a whit
worse than the vast majority! She's got the herd-taste.


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