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Oemler, Marie Conway, 1879-1932

"The Purple Heights"

"
After a while the things that Peter was always drawing began to bear
what might be called a family resemblance to the things they were
intended to represent. But as all children try to draw, nobody
noticed that Peter Champneys tried harder than most, or that he
couldn't put his fingers on a bit of paper and a stub of pencil
without trying to draw something--a smear that vaguely resembled a
tree, or a lopsided assortment of features that you presently made
out to be a face.
But Peter Champneys, at a very early age, had to learn things less
pleasant than drawing. That tiny house in Riverton represented all
that was left of the once-great Champneys holdings, and the little
widow was hard put to it to keep even that. Before he was seven
Peter knew all those pitiful subterfuges wherewith genteel poverty
tries to save its face; he had to watch his mother, who wasn't
robust, fight that bitter and losing fight which women of her sort
wage with evil circumstances. Peter wore shoes only from the middle
of November to the first of March; his clothes were presentable only
because his mother had a genius for making things over.


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