The Symposium is connected with the Phaedrus both in style and subject;
they are the only Dialogues of Plato in which the theme of love is
discussed at length. In both of them philosophy is regarded as a sort of
enthusiasm or madness; Socrates is himself 'a prophet new inspired' with
Bacchanalian revelry, which, like his philosophy, he characteristically
pretends to have derived not from himself but from others. The Phaedo also
presents some points of comparison with the Symposium. For there, too,
philosophy might be described as 'dying for love;' and there are not
wanting many touches of humour and fancy, which remind us of the Symposium.
But while the Phaedo and Phaedrus look backwards and forwards to past and
future states of existence, in the Symposium there is no break between this
world and another; and we rise from one to the other by a regular series of
steps or stages, proceeding from the particulars of sense to the universal
of reason, and from one universal to many, which are finally reunited in a
single science (compare Rep.
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