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Crane, Stephen, 1871-1900

"Men, Women, and Boats"

The speed had not been checked, and the uproar was so great that
in effect one was simply standing at the center of a vast, black-walled
sphere. The tubular construction which one's reason proclaimed had no
meaning at all. It was a black sphere, alive with shrieks. But then on
the surface of it there was to be seen a little needle-point of light,
and this widened to a detail of unreal landscape. It was the world; the
train was going to escape from this cauldron, this abyss of howling
darkness. If a man looks through the brilliant water of a tropical pool,
he can sometimes see coloring the marvels at the bottom the blue that
was on the sky and the green that was on the foliage of this detail. And
the picture shimmered in the heat-rays of a new and remarkable sun. It
was when the train bolted out into the open air that one knew that it
was his own earth.
Once train met train in a tunnel. Upon the painting in the perfectly
circular frame formed by the mouth there appeared a black square with
sparks bursting from it. This square expanded until it hid everything,
and a moment later came the crash of the passing. It was enough to make
a man lose his sense of balance. It was a momentary inferno when the
fireman opened the furnace door and was bathed in blood-red light as he
fed the fires.
The effect of a tunnel varied when there was a curve in it. One was
merely whirling then heels over head, apparently in the dark, echoing
bowels of the earth.


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