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Various

"Volume 15, No. 90, June, 1875"

Under one of them
there is a cozy cupboard, where the woman-usher (in a neat muslin cap
with pink ribbons) keeps the candies and cakes she sells to the
audience between the acts. Upon the poor little profits of her office
here this honest woman lives, and keeps herself as tidy as if she had
ample pin-money. She thrusts a little wooden footstool under the feet
of each woman in the audience, and is amply repaid with a sou at the
end of the evening. The footstool is welcome, for a Frenchwoman is ill
at ease at a place of amusement without her little "bench" under her
foot: it is invariably brought her at theatres or cafes, as a rule;
and each of the larger theatres in Paris has a dozen or so of these
"ouvreuses," as they are called, who are paid usually two sous by each
lady who accepts a little bench. In the present instance the fee is as
small as it possibly could be, and the bench-woman ekes out her income
by selling cakes, oranges and candies. Curiosity to know her earnings
elicits the frank reply that she often makes as much as thirty sous a
night in her sphere of labor.
The Funambules orchestra is composed of three instruments--a big bass,
played by a tall, genial-looking man who wears a flannel shirt and a
paper collar, and has a bald head; and a piano and violin, played by
two handsome, dark-haired, romantic-looking young men, apparently
brothers.


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