Her
delight in the fresh air, in the freedom, light and sparkle
of the morning, gave him a sudden insight into her stifled
past; nor was it indifferent to him to perceive how much his
presence evidently added to her enjoyment. If only as a
sympathetic ear, he guessed what he must be worth to her.
The girl had been dying for some one to talk to, some one
before whom she could unfold and shake out to the light her
poor little shut-away emotions. Years of repression were
revealed in her sudden burst of confidence; and the pity she
inspired made Darrow long to fill her few free hours to the
brim.
She had the gift of rapid definition, and his questions as
to the life she had led with the Farlows, during the
interregnum between the Hoke and Murrett eras, called up
before him a queer little corner of Parisian existence. The
Farlows themselves--he a painter, she a "magazine writer"--
rose before him in all their incorruptible simplicity: an
elderly New England couple, with vague yearnings for
enfranchisement, who lived in Paris as if it were a
Massachusetts suburb, and dwelt hopefully on the "higher
side" of the Gallic nature. With equal vividness she set
before him the component figures of the circle from which
Mrs. Farlow drew the "Inner Glimpses of French Life"
appearing over her name in a leading New England journal:
the Roumanian lady who had sent them tickets for her
tragedy, an elderly French gentleman who, on the strength of
a week's stay at Folkestone, translated English fiction for
the provincial press, a lady from Wichita, Kansas, who
advocated free love and the abolition of the corset, a
clergyman's widow from Torquay who had written an "English
Ladies' Guide to Foreign Galleries" and a Russian sculptor
who lived on nuts and was "almost certainly" an anarchist.
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