"Some," he remarks, "have slept for months and years
with a book, a garment, a trifle. I once had a friend who would
spend long hours of joy and emotion kissing a thread of silk
which _she_ had held between her fingers, now the only relic of
love." (Mantegazza, _Fisiologia dell' Amore_, cap. X.) In the
same way I knew a lady who in old age still treasured in her
desk, as the one relic of the only man she had ever been
attracted to, a fragment of paper he had casually twisted up in a
conversation with her half a century before.
The tendency to treasure the relics of a beloved person, more especially
the garments, is the simplest and commonest foundation of erotic
symbolism. It is without doubt absolutely normal. It is inevitable that
those objects which have been in close contact with the beloved person's
body, and are intimately associated with that person in the lover's mind,
should possess a little of the same virtue, the same emotional potency. It
is a phenomenon closely analogous to that by which the relics of saints
are held to possess a singular virtue. But it becomes somewhat less normal
when the garment is regarded as essential even in the presence of the
beloved person.
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